"Corrine Byrne has quickly become a celebrated singer"
Broadway World
"Wollschleger’s astonishing grasp is further demonstrated by perhaps the most challenging piece here, Bring Something Incomprehensible Into The World, a three movement work for soprano Corrine Byrne and trumpet[er] Andy Kozar...with both musicians pursuing extended techniques with style and even levity"
An Earful
"[Byrne's] vocals, all in Irish...lend a great authenticity to the evening's entertainment"
The Times Argus
"Take the crooning, capricious eternal return (Passacaglia). The unexpected duo of soprano (Corrine Byrne) and trumpet (Andrew Kozar) play in taunting heterophony, one voice just slightly behind the other... cheerful in its resignation."
San Francisco Classical Voice
"The 13th-century master Pérotin’s compulsive expression — especially his 'Dum sigillum summi patria' Tengblad and Marvosh, then soprano Corrine Byrne and mezzo-soprano Clare McNamara, distantly mirrored Bryan Christian’s “Of a rose synge we” (a premiere), which factorized its medieval text into dense, dissonant lambency."
The Boston Globe
"Corrine Byrne sang to great acclaim"
Bedford Daily Voice
"Trumpeter Kozar and soprano Byrne demonstrating an arresting symbiosis in their melding of voice and trumpet timbres"
Textura
"The title is the text sung by soprano Corrine Byrne, but she breaks apart and extends every syllable to abstract shapes and phonemes that interact deftly with the trumpet"
Best of Bandcamp Contemporary Classical
"Corrine Byrne, as the evil queen, enchanted the audience..."
The River Reporter
"Byrne believes in symbiotically learning from all genres, thus you shouldn’t be surprised to hear her performing early music one night, and jazz standards the next."
Marshfield Mariner
Broadway World
"Wollschleger’s astonishing grasp is further demonstrated by perhaps the most challenging piece here, Bring Something Incomprehensible Into The World, a three movement work for soprano Corrine Byrne and trumpet[er] Andy Kozar...with both musicians pursuing extended techniques with style and even levity"
An Earful
"[Byrne's] vocals, all in Irish...lend a great authenticity to the evening's entertainment"
The Times Argus
"Take the crooning, capricious eternal return (Passacaglia). The unexpected duo of soprano (Corrine Byrne) and trumpet (Andrew Kozar) play in taunting heterophony, one voice just slightly behind the other... cheerful in its resignation."
San Francisco Classical Voice
"The 13th-century master Pérotin’s compulsive expression — especially his 'Dum sigillum summi patria' Tengblad and Marvosh, then soprano Corrine Byrne and mezzo-soprano Clare McNamara, distantly mirrored Bryan Christian’s “Of a rose synge we” (a premiere), which factorized its medieval text into dense, dissonant lambency."
The Boston Globe
"Corrine Byrne sang to great acclaim"
Bedford Daily Voice
"Trumpeter Kozar and soprano Byrne demonstrating an arresting symbiosis in their melding of voice and trumpet timbres"
Textura
"The title is the text sung by soprano Corrine Byrne, but she breaks apart and extends every syllable to abstract shapes and phonemes that interact deftly with the trumpet"
Best of Bandcamp Contemporary Classical
"Corrine Byrne, as the evil queen, enchanted the audience..."
The River Reporter
"Byrne believes in symbiotically learning from all genres, thus you shouldn’t be surprised to hear her performing early music one night, and jazz standards the next."
Marshfield Mariner